It occurred to me as I heard the cricket say he was about to write his memoirs, in the animated film Pinocchio, that I also had been writing my memoirs in something I had been writing and mulling over. Continue reading
I am pleased to introduce FRAGMENTS OF WRITING, a new category… Continue reading
The Tower Treasure
By Franklin W. Dixon
Publisher: Grosset & Dunlap
Released 1927. Review written 2022.
The first Hardy Boys mystery The Tower Treasure was in the words of your grandfather or great grandfather, who read the book when it came out all those years ago (almost one hundred years!), an “exciting page turner”. Continue reading
2004. I interviewed David Moxon (pictured above), the then Bishop of the Waikato (in New Zealand), about The Lord of the Rings movies that were released in the theatre. It seems quite timely to publish that interview in light of the latest ‘incarnation’ of the Lord of the Rings in the media. Here is David Moxon’s “review” of The Lord of the Rings movies by Peter Jackson This is an unofficial review but an interview I had with him in 2004. Continue reading
It’s been thirteen years since I first started devising and writing a tale and this week I revisited the story again, didn’t feel like to, but since it was on my schedule, I thought I should get to this.
There is a difference between abandoning something and abandoning ship. Abandoning ship means whatever you were occupying is abandoned for ever. Abandoning something means you let go of part of the whole. I may have let go of a long cherished but burdensome project without abandoning ship. I will still write of course, but I won’t be writing a certain project that I really am unmotivated to write anymore. I guess one should be motivated to write a project, but when it becomes a burden, one loathes the thought of writing it. So, I think I should stick to those writing projects, in terms of fiction, that I really have a strong motivational investment in.
The barrister winked at him. “Nothing like a change to get customers back, eh?”
Secretly, she slipped something addictive into his coffee. “How about a latte today, sir?” The story continues…
He couldn’t kick the habit. He kept on taking the same path to the same coffee shop every day. Three times a day.
The barrister promised the customer something special in the coffee today. “You’ll take off,” she said.
The weather may have been the same, but not his coffee. The barrister slipped something extra special into his coffee today…
I like outrageous stories and tall tales that have an exaggerated sense of life. So, here is a short tale of going to the coffee shop.
There are millions even trillions of stories in the Mind’s eye, but only one, maybe two or three, that should be written by me.– Pete’s quotes
A powerful force arrested him
And pushed him down the alley
Where he heard a clown
I must have been so fooled by the sight
Like a vision made me see a whole other world, behind the wall
It blew my senses
Then, I was lost in my thoughts
Intrigue surrounded me
And I slowly felt my myself submitting to the sounds
Of my heart beating
To the rhythm of another unusual sight
Then, I saw this man standing there, this awkward looking guy
I kept going back to hear his ditty
It was kind of magnetizing me
I could not resist
He was so uncool
Then he showed me how cool he was, just for a moment
I was curious and wanted more.
I am his editor
In storytelling class, the lecturer may discuss the concept of compelling choice. For these lecturers, compelling choice is the pivot on which the plot turns in the classical story structure. The main character faces dilemmas at various points and has a choice between two or, even better, more choices of action, but the character chooses one way because the choice compels more than the other possibilities.
Real life is faced with such challenges as well at all sorts of levels. I wish that in real life we would always make the best choices, but in stories a character is a character with its own personality, beliefs and ways of doing things. It’s just that some choices compel the protagonist more than others. This is good material for the writer. The character can make authentic choices because one choice was more compelling that the other possibilities. In real life this can be as difficult as choosing the most unselfish course of action.
One idea can produce two ideas, but they both take a different slant, that’s the difference. For example, take this premise, as comedy for a Hollywood blockbuster that would get one star from the critics, depending on how well it was done, the potential to be a bomb.
A man spent ten years of his life around a lot of people and got so sick of them that he decided to isolate himself from people because he enjoyed the other half of his personality better and settles down with him, but his friend tries to get him back into socializing with people and to see the good side of humanity. In the end, he comes around to see the good side. That’s a silly comedy. But I can change the ending and the whole tone of the idea to sound like an arty drama. In the end the person stays away from people for the rest of his life and there is no seeing the good side. That’s a German drama. I would write neither.
There’s always in the back of the mind of a writer of shorter material the time when he’ll be an author and gets the book contract. But does one really want to do that? The book signings, the author meet and greets, the interviews…the general busyness over your book? And does the writer really like reading books anyhow, the longer stuff that is? Can a writer be satisfied with the niche he already has and make the most of it, as much as possible? And not put all his eggs in the one writing basket?
Budding screenwriters take note.
Creators don’t like people saying that only 1 episode matters. The creator says, it all matters (They also tell the picky fans to get a life). Scope. Some like their series to never end.
One part after the other that continues the story on and on.
There’s an easy way to file away ideas and thoughts. It’s not by filing ideas and thoughts for different genres into different notebooks, but simply keeping a notebook for everything that comes to mind. I’d been doing that way, but realized the put everything in one place approach is better. I’ve been keeping my Bible reading notes in one exercise book. This was for the purpose of jotting the ideas I get from reading the Bible which could become devotions, meditations and reflections. When other ideas came to mind, say a story idea that jumped into my head, I had to find a different notebook, or piece of paper, to jot the idea down. But it would be quicker just writing the idea in my devotional notebook because that was handy. I don’t like mixing various ideas around in a notebook intended for one thing, though. It makes much better sense to include everything in one notebook, doesn’t it? So, all one has to do is headline each notebook entry for what kind of idea it is: be it devotional, story, article, poem, etc.
And if one is the run, one may keep a recorder, or something like it, for easy recording when ideas come to mind. Keep the ideas in one place on the recorder and indicate what each idea is, whether story, article, poem, etc. Much better. All in one place and headlined for easy reference. All one needs now is a good notebook and/or a digital recorder. Digital recorders hold more information so spending on one is probably cheaper in the long run than buying notebook after notebook. May be just invest in a simple digital recorder for note-taking, if one likes, if that’s easier when on the run. Or write it down, if that’s preferable.
Little things I pick up along the way…as I was reading a book, I stumbled onto a nugget of wisdom. The book appraised films for this or that reason and a reason a critic gave was personally illuminating. The critic said a certain director wasn’t prepared to go the places a subject or premise would naturally go. It clicked. If I am to write stories, write stories I am prepared to deliver on. Go to the places the subject demands. If I can’t go there, don’t write it.
If I have different versions of a scene, I can see the differences between the versions. I ask myself which is best? The original scene may be better then the second or third version, or the second and third versions are better. How do I tell? I guess if I get too involved with editing one version, proving that it’s going nowhere.
Challenging decisions in the editing phase–what to do with everything but wanting to use everything. Cutting, pasting, rearranging, refashioning.
Was looking to submit a story, but on second thoughts, it’s more poetry in motion than fiction. Have two weeks before the deadline.
Or a mission, to pursue the possibility (not probability at this stage) of submitting a unique work of fiction or poetry by the end of next month, to a publisher that is open to receiving it. In the words of a former supervisor of mine, I look forward to it.
Start thinking about it today. Work on it tomorrow.