Thematically, Out of Africa (1985) has got some interesting points, of one’s place and connection in the world in spite of the transient nature of life, seeing the life God intended although the world is imperfect, and the small details of life carrying some significance for good or ill. A bit of a smorgasbord of ideas, a bit of a mix and pick, but the ideas connect to the central story.
Out of Africa is based on real people and fictionalized for dramatic effect, Danish baroness Karen Blixen (Meryl Streep) moves to colonial Kenya and marries her best friend there, Bror (Klaus Maria Brandauer). There is a strain in her marriage as Bror has infidelities coming left, right and centre despite them trying to make a go of a coffee plantation in the African country.
Enter big game hunter Denys Finch Hatton (Robert Redford). Ever so gently a romance develops after Blixen’s divorce from Bror.
The spectrum of events like these can make one question one’s place in the world, question if the events are ominous or good, and somehow get back to the life God intended. Ambiguous and lucid but getting through the fog to find a meaningful life.
Meryl Streep had two acting Oscars already on her mantelpiece before she filmed Out of Africa. When the Oscar nominations came out in 1986, she was nominated for her role as Karen Blixen. She didn’t win and didn’t win again for another 26 years when she got another one for The Iron Lady in 2012. But some may say that the field was so good in 1986 that they all deserved the Oscar.
The beauty of Meryl Streep’s performance as Karen Blixen is that she consumes her role as if disappearing in it, which many say is what Meryl Streep tends to do. Streep may be the best thing in Out of Africa but there are other reasons to admire it as a movie.
Streep consumes her role as Blixen, but when she’s with Redford and he’s putting on the charisma, you start to think, oh, he’s a star and so is she. Redford has that effect on occasion, but mostly you wouldn’t notice.
There’s a slow burning romance between the main characters. Finch Hatton takes Karen Blixen on his plane–some magnificent aerial photography showcases the romance of the African landscape. By then it’s more than a date, not that dates figure in this film’s world.
I’m not commending the moral flaws in this film, such as the infidelities, the divorce, and the romance with another man, but Streep’s wonderful performance, and Brandauer’s too, the production’s handsomeness, the literate sweep from a screenplay by Kurt Luedtke (based on the writings of Karen Blixen), the detail and well-developed characters, are all on the flip side. There are few lulls. I was taken into this movie’s cocoon. A tremendous effort, a film that’s focused and follows through on what’s been established, and a film of poetry, nuance and detail, delivered with a return on the viewer.
Out of Africa (1985) ****½ Starring: Meryl Streep, Robert Redford, Klaus Maria Brandauer. Director: Sydney Pollock.