Parts of the writer’s life are as follows: desire to write, research, writing, promotion of a book, and there may be others. Each part requires commitment, but it may be that a writer finds commitment easier in one part than another. For example, does one have enough sense of entitlement to promote one’s book? Is one committed to the promotion? I guess if there is any hint of reservation in any of these parts then it may be best not to do it and don’t waste a publisher’s or your own time. Sick to what one is committed to and work the rest out from there.
There are different levels of engaging media and art, but the top level perhaps, is when a work or piece of art speaks to the heart. Then one has engaged with the “eyes” of the heart, which is a genuine response. One can begin to see everything in “level one”, the level of seeing what speaks to the heart, and this may be a genuine response. Would seeing with the “eyes of the heart” be the final judge?
What I’m reading. After reading and reflecting on the book of Job I went back to the start of the Bible with Genesis, with the intention of noting facts of the scripture rather than reading primarily for themes. Thematic analysis is what I had been doing, but I wasn’t sure if I was being true to the text by seeing themes that may or may not be there, for what was the purpose of writing devotionals.
I’ve also finished Star Wars, the original novelization of the film. This year it’s been re-published in a trilogy of books. This trilogy is the original Star Wars trilogy, from A New Hope, The Empire Strikes Back, to Return of the Jedi. I was surprised how they condensed two hours that seems longish into a shortish book. I expected longer, but that’s how this film-tie in went.
Meanwhile, watching The Last Jedi movie trailer. The moral of the saga will probably be complete next episode. Meanwhile, young lives go on, unsure of what the meaning of the moral is, but needing to know, because their lives depend on it. I want to know.
With three publishers wanting to see my work, you’d think I’d be happy about that. Well, I am, but it’s just three isn’t it? It’s casual writing work. Short writing or thereabouts. Like it. Would like more avenues but am grateful for what’s in the writing department.
With avenues for writers scarce in the religious genre, the younger ones are being promoted. Did a lot back in the day when the publishers were still going. Hope the younger ones do well.
May just find something else as well. So I keep the possibility open. Have two websites I use for information on publishing somewhere else.
With the thought of possibility, one may never let the possibility die. Opportunities may come and go, but possibility can be forever, whatever happens. Because one thinks, what if? Then you keep on going.
I know this film very well and can fill in all the blank spaces that the novel of the film might not make as clear in prose. Call it visual memory in filling in what seems unclear.
However, in many instances, the prose of the book of the film adds to the story experience in other ways.
I was going to send my copy of Dante’s Divine Comedy to the second hand bookshop, but thought better of it, because one day I may miss this book. Besides, by today’s standards, the Divine Comedy is classical and rare, a book I will want to keep.
Visceral entertainment and thought-provoking, reflection, and the off-putting: my reading week so far.
The original Star Wars novelization was the first.
The book of Job the second.
And Dante’s Divine Comedy the last.
Star Wars the novel doesn’t seem to compare to the movie, but with the movie in mind, the novel is added entertainment on top of the movie and a good read. Thought provoking in the sense that where is Luke Skywalker’s journey taking him and how? And I love the peppering of words that require a dictionary. Not that there are many.
The book of Job is reflection and a very centering one. I love it, although I admit takes a bit of effort.
But I am surprised that I officially no longer like Dante’s Divine Comedy. I have read the first part and saw the point although the poetry itself was hit and miss. I skipped the second part and went for what I thought would be the best part, Paradiso. But this is when I realized that the Divine Comedy makes some good points, but not everything stacks up for me. I’d rather read Job and the Bible for spiritual reflection. And Dante’s poetry just didn’t jell this time.
Well, that’s how my reading week may have ended, but the last passage I read was from Star Wars and I’m in the throes of taking the Divine Comedy to the second hand bookshop.
The experience of reading Dante’s Inferno made me think that the original Star Wars trilogy of books is a lighter read–for escapism and a lightness of step–compared to the heavy, hellish, grotesque imagery in Dante’s Inferno.
Having read it, I transfer my reading of Dante’s Inferno to my experience of watching the hellish Revenge of the Sith years ago.
Revenge of the Sith is not something to really enjoy like the first Star Wars trilogy. Like Inferno, it’s about a descent into hell, literally and figuratively, depending on the story.
But both make interesting points so are worth a read and a watch.
I have two translations of Dante’s Inferno. The first, which I have read, is eloquent and sometimes difficult, not an easy read. The second translation, which I am reading, is readable. The readable translation is the one I would pick over the eloquent translation because I want to follow what I am reading every step of the way. The introductions of both books are useful in their own ways.
I couldn’t have imagined how many words in Dante’s Inferno could be misunderstood, those mildly or moderately complex and very complicated words that requires a dictionary. I came up with about 300 difficult words which I randomly scribbled on a card to look up later. It became a very interesting exercise.