The short stuff is a dead end

It occurs to me, in a moment of reflection, that the many times I submitted to various publications over the last few years–the faith-based ones and the literary/fiction ones—came up fruitless.

Except a few publications would see my work, but I don’t have the resources for it. Nobody came to my aid this time.

Frankly I’m tired of trying. That means I won’t need to write about my movements in regards to writing anymore. This means this post is my last. But it does mean there are several other blogs I have started last month, where I will be writing.

So long but hello again. I am joining a monastery that has access to the internet and a laptop. There I will be a writer/blogster-writer and chant away.

The short stuff

I don’t like promoting my own work. That’s the way I am. I like doing the writing and would leave the marketing to others. So, I’ve been published in magazines, websites and newspapers that don’t require me to promote my work.

Back in the day when I was doing writing jobs, someone said to me that I should write a book. I was friendly towards such suggestions because in my mind that was what I was going to do. So I explored my fiction writing first before seeking out publishers and found out my ability at that stage.

When I got a grasp of the big picture of what is entailed in publishing I realized that I don’t like doing self-promotion. As I said, that’s how I am. If I was a professional sports player in another life, I would play the game, not promote myself.

This leaves me where a blog of mine a few years back started off. That blog was following my movements on writing short stuff, the articles, the items, the one paragraph devotions, and the short stories. In this pursuit, I may aim in vein, but writing the short stuff is who I am as a writer.

Choices

What one needs to remember, and that includes myself, is that film producers usually require “spec scripts” or scripts written with the intent of soliciting work.

That may come as a shock.

I’d sooner have my original story made for the big screen, but it does not work that way I come to find out.

What this means for the independent-minded writer is that he or she has to work for a producer if their spec script is approved of.

This means a writer writes what the producer needs as the producer has certain products they will produce. Not everyone does horror and science fiction. Not everyone is your thing, but some may be more up your ally.

This may leave any writer asking the same question: should one go ahead and write film and television scripts for that producer? These are choices one has to make.

 

Back to Dante. Yeah!

The experience of reading Dante’s Inferno made me think that the original Star Wars trilogy of books is a lighter read–for escapism and a lightness of step–compared to the heavy, hellish, grotesque imagery in Dante’s Inferno.

Having read it, I transfer my reading of Dante’s Inferno to my experience of watching the hellish Revenge of the Sith years ago.

Revenge of the Sith is not something to really enjoy like the first Star Wars trilogy. Like Inferno, it’s about a descent into hell, literally and figuratively, depending on the story.

But both make interesting points so are worth a read and a watch.

I have two translations of Dante’s Inferno. The first, which I have read, is eloquent and sometimes difficult, not an easy read. The second translation, which I am reading, is readable. The readable translation is the one I would pick over the eloquent translation because I want to follow what I am reading every step of the way. The introductions of both books are useful in their own ways.